December 28, 2011

SECOND LIBATIONS. The Grand Finale


GRAND FINALE for SECOND LIBATIONS FULL SIM ART EXHIBIT

The time has come to begin preparations for the End of the World... 2012 is upon us. Second Libations will not simply be packed away on Dec 31. No way! Every stage of an exhibit is an opportunity to create something new. So a dramatic climax is in the cards.

The bots offer a final prayer, a ritual to the heavens asking for rejuvenation. Will they succeed?

The lm will take you to the audience platform, where you will be moderately safe, in case of flying debris.


TIME AND PLACE:


DAY: Saturday, DEC. 31, 2011


TIME: 2 pm SL time


CLICK HERE FOR TRANSPORT:

Please come to the audience platform by 2 pm SLT. You may arrive earlier to get a last look at the exhibit. I will be making preparations for an hour before the performance begins. My IM window will be closed as I ready the sim, so if you would like to contact me, please send a notecard which I can read after the event.


FILMS ABOUT SECOND LIBATIONS:

Following, are 3 very talented filmmakers who have presented their interpretations of the exhibit. Please click on the titles below to watch the films.

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Spiral Silverstar > SECOND LIBATIONS


Part One

Part Two


In two parts, Spiral gives a comprehensive overview of the installation. This finely crafted film builds to a most optimistic and engaging interpretation. The adventurous music and exquisite cinematography are masterfully bound.


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Chic Aeon > CHAINED


Click here to watch Chained


In Chic's films, grays become vivaciously delicious. Her lines of poetry recount ageless wisdom. In "Chained", a serious question is asked, one that is rarely heeded. Is the young man in the film capable of answering? Are you?


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Jjccccc > THE WONDERFULL CREATION OF HAVEIT NEOX


Click here to watch the film


Jjccccc uses Second Libations as a canvas, dazzling the screen with awesome added color and blending effects. Chopped into a hundred snippets, he composes a film collage that addresses the overlapping of time.